By Rainer Maria Rilke

A certain hour became a presence to me;
there it was, confronting me - a sky, air, light:
a being. And before it started to descend
from the height of noon, it leaned over
and struck my shoulder as if with
the flat of a sword, granting me
honor and a task. The day’s blow
rang out, metallic or it was I, a bell awakened,
and what I heard was my whole self
saying and singing what it knew: I can.

By Elizabeth Bishop

The art of losing isn’t hard to master;
so many things seem filled with the intent
to be lost that their loss is no disaster.

Lose something every day. Accept the fluster
of lost door keys, the hour badly spent.
The art of losing isn’t hard to master.

Then practice losing farther, losing faster:
places, and names, and where it was you meant
to travel. None of these will bring disaster.

I lost my mother’s watch. And look! my last, or
next-to-last, of three loved houses went.
The art of losing isn’t hard to master.

I lost two cities, lovely ones. And, vaster,
some realms I owned, two rivers, a continent.
I miss them, but it wasn’t a disaster.

—Even losing you (the joking voice, a gesture
I love) I shan’t have lied. It’s evident
the art of losing’s not too hard to master
though it may look like (Write it!) like disaster.

(Source: poetryfoundation.org)

by Alice Oswald

(Source: writersalmanac.publicradio.org)

by William Henry Davies

What is this life if, full of care,
We have no time to stand and stare.
No time to stand beneath the boughs
And stare as long as sheep or cows.
No time to see, when woods we pass,
Where squirrels hide their nuts in grass.
No time to see, in broad daylight,
Streams full of stars, like skies at night.
No time to turn at Beauty’s glance,
And watch her feet, how they can dance.
No time to wait till her mouth can
Enrich that smile her eyes began.
A poor life this if, full of care,
We have no time to stand and stare.

(Source: davidpbrown.co.uk)

by Sheenagh Pugh

What if this road, that has held no surprises
these many years, decided not to go 
home after all; what if it could turn
left or right with no more ado
than a kite-tail? What if its tarry skin
were like a long, supple bolt of cloth,
that is shaken and rolled out, and takes
a new shape from the contours beneath?
And if it chose to lay itself down
in a new way; around a blind corner,
across hills you must climb without knowing
what’s on the other side; who would not hanker
to be going, at all risks? Who wants to know
a story’s end, or where a road will go?

(Source: panhala.net)

by Derek Mahon

How should I not be glad to contemplate 
the clouds clearing beyond the dormer window 
and a high tide reflected on the ceiling? 
There will be dying, there will be dying, 
but there is no need to go into that. 
The poems flow from the hand unbidden 
and the hidden source is the watchful heart. 
The sun rises in spite of everything 
and the far cities are beautiful and bright. 
I lie here in a riot of sunlight 
watching the day break and the clouds flying. 
Everything is going to be all right.

(Source: panhala.net)

by Philip Larkin

thelifeguardlibrarian:

What are days for?
Days are where we live.
They come, they wake us
Time and time over.
They are to be happy in:
Where can we live but days?

Ah, solving that question
Brings the priest and the doctor
In their long coats
Running over the fields.